You write the brief once — offer, audience, proof, what you may and may not claim — and get a matrix of variants per placement: each within the character limits, each carrying the angle, audience and hook it was built from. The tagging is the point: when one ad wins, you learn which angle won rather than that ad 4718 did.
The media buyer can spend the budget faster than anyone can write for it. So the same three creatives run for six weeks, fatigue sets in, and the account looks like the algorithm got worse.
Three ads called final_v2 and a spreadsheet nobody updated. When one wins, the reason is a guess, and the next campaign starts from the same blank page.
A claim that reads fine to a marketer gets the ad rejected, sometimes the account flagged. The fix is a rewrite and another review cycle, and it happens weekly.
Offer, audience, proof points, tone, banned claims, competitors you may not name, the regulated wording your industry requires. This is filled in once per campaign and it is what stops the output reading like everyone else’s ads.
The system proposes distinct angles — price, speed, risk removal, status, a specific objection — and you pick. Twenty variants of one angle is not a test; it is one ad written twenty ways.
Each placement gets copy inside its own limits: Google RSA headlines and descriptions, Meta primary text, headline and link description, and the character counts are enforced rather than hoped for.
Angle, audience, hook type, offer and CTA are attached as fields on the variant, and they travel with the ad into the platform through UTM and naming conventions your analytics already reads.
A person approves — the policy pass flags risky claims first — and approved variants go up through the Meta and Google APIs as paused drafts. Results come back onto the tags, so the next brief starts from what worked.
We build in your stack rather than moving you onto ours. The list below is what this solution most often connects to — other systems are a scoping question, not a blocker.
It writes the visual brief — concept, what is shown, the text on the image, the format per placement. Production stays with your designer or your video editor, and the brief is what makes their work faster.
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